The Goat


Action / Comedy

Rotten Tomatoes Critics - Certified Fresh 90%
Rotten Tomatoes Audience - Upright 90% · 500 ratings
IMDb Rating 7.7/10 10 4964 5K


Top cast

Buster Keaton as The Goat
720p.BLU 1080p.BLU
216.29 MB
English 2.0
24 fps
12 hr 23 min
Seeds 6
401.53 MB
English 2.0
24 fps
12 hr 23 min
Seeds 22

Movie Reviews

Reviewed by okaycuckoo 8 / 10

Jumping Joseph

Saw this for the first time on UK TV, with good musical accompaniment. The elevator scene is class, especially when he does the going-down thing in the phone booth, and then fiddles with the floor-indicator. The jump through the transom is really impressive, and there's so much more. Apart from all the stuff that's been mentioned before, there's the fight with the man who's been bullying the woman with the dog - it just looks so simple. The only drawback is the plot - he gets mixed up with Dead Eye Dan, who then escapes but doesn't reappear, even when some more gangsters get involved later on. The scene where it looks like he's shooting at the fat inspector is funny, but would have been better if Dead Eye was the one pulling the trigger.

Reviewed by wmorrow59 10 / 10

Genius at work-- and he makes it look so easy!

I hardly know where to begin in writing about this gem, except to say that it represents young Buster Keaton at the peak of his powers and must certainly rank with the half-dozen best short comedies ever made. The Goat is twenty minutes of smoothly paced, expertly photographed, beautifully executed gags; two reels of non-stop comic invention driven by an intense undercurrent of paranoia and yet somehow leading to a happy ending -- which wasn't always the way with Buster's short comedies. (See Cops for one case where Fatalism ultimately got the better of him, or One Week for the victory of Defeatism.) If I had to describe the tone of this film in one word I'd call it "effortless," but if I were permitted a qualifier I'd call it "seemingly effortless," for surely a lot of hard labor goes into the making of any comic opus that unfolds with such sublime ease. Still, they didn't call him the Great Stone Face for nothing: Buster never let the public see him sweat.

A sardonic title card tells us that our opening sequence is set "along Millionaires' Row," i.e. on a bread line in a grim urban setting, where Buster waits patiently at the back of the line and, as a result, doesn't get fed. But it needs to be emphasized that not for one moment does he play for pathos; Buster has our sympathy, but he never asks for it. Before long, through a series of accidents, coincidences and absurd misunderstandings, Buster is believed to be an escaped killer named Dead Shot Dan and is being pursued by every cop for miles around, and yet while he's clearly dismayed by this turn of events there is never a hint of self-pity or even surprise. We get the sense he always knew that this is what life would have in store for him, and that he hasn't time to feel sorry for himself anyway, as he has to figure out new ways to dodge all those cops and escape from the latest trap.

Just as Buster refrains from playing for sympathy he never seems to strain for laughs either, which is especially impressive because The Goat must be one of the most laugh-packed short comedies in existence. This is the film containing that iconic shot of Buster riding a train's cow-catcher right up to the very lens of the camera, which isn't a gag exactly but sure is laugh-provoking in its own strange way. Meanwhile, there are bits involving guns, dogs, cops, an incredibly furry mustache, and a clay statue of a horse that melts under Buster's weight (a surreal sight indeed), but some of the biggest boffos are saved for the finale when Buster is trying to elude his primary nemesis, Big Joe Roberts, a rotund cop who also happens to be the father of leading lady Virginia Fox. Trapped in Big Joe's dining room, Buster leap-frogs over him and sails through a transom, turns a phone-booth into an elevator and pretends to disappear, and eventually uses the elevator itself to rid himself of his pursuer and win the girl in time for one last fade-out gag.

To say more would be a disservice to first-time viewers. I only wish I could see this film in a theater full of people who'd never seen it before, and float on the laughter. Live musical accompaniment would be nice too; and incidentally the musical score supplied by Kino for their home video/DVD version of The Goat is first-rate, serving as icing on an already tasty cake.

Reviewed by ccthemovieman-1 8 / 10

No Real Story, Just Buster Showing His Talent

Not all, but most of this story is Buster being mistaken for "Dead Shot Dan," a notorious criminal.

There really is no story, just a series of adventures to show off Buster's physical talents, which are amazing, and his comedic timing. The 27-minute film is basically one adventure after the other mostly involving someone chasing our hero.

Earlier, it's a couple of policemen on their beats racing through the streets after Keaton and later it's "Big Joe" Roberts, a rotund cop - and father a girl Buster is interested in - who chases him. Those latter scenes were the best I thought, with a lot of clever gags involving the hotel elevator where Big Joe and his daughter live. That was Keaton at his best.

It's just a madcap half hour that makes little sense, but cares? It's Buster at his slapstick best, or near it, and so it serves its purpose: to entertain us. Just think: 85 years after this film was made there are people (like me) still discovering and enjoying these silent comedy classics! Cool!

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